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AJ OXFORD H 41 Black metal/ opal glass
AJ OXFORD H 41 Black metal/ opal glass
AJ OXFORD H 41 Black metal/ opal glass
AJ OXFORD H 41 Black metal/ opal glass
AJ OXFORD H 41 Black metal/ opal glass

Table Lamp AJ OXFORD H 41 Black metal/ opal glass LOUIS POULSEN

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Originally designed for St Catherine's College, Oxford, AJ Oxford is a table lamp that is both pure and graphic. Inaugurated in 1963, the St ... Learn more
AJ OXFORD H 41 Black metal/ opal glass
Métal noir/ verre opalin
AJ OXFORD H 41 Opal glass
Verre opalin
Designer :
Arne JACOBSEN
Availability :
In stock
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AJ OXFORD H 41 Black metal/ opal glass
AJ OXFORD H 41 Black metal/ opal glass
€704.00 €880.00
€586.66 HT

Description

Originally designed for St Catherine's College, Oxford, AJ Oxford is a table lamp, both sleek and highly graphic. Opened in 1963, St Catherine's College is the work of Arne Jacobsen. The AJ Oxford lamp was designed to be fixed in place and illuminate the establishment's impressive dining room, which housed long rows of oak tables and seated 350 people. The AJ Oxford lamp, which still lights up St Catherine's College, perfectly reflects the building's modernist architectural style. Reissued by Louis Poulsen, the AJ Oxford lamp features a slender foot that blends harmoniously into the circular base. Its graphic style and monochrome colour palette make the AJ Oxford lamp a timeless element that fits perfectly into any interior. To suit all types of space, it is available in several versions: with or without a metal top shade, and in two different heights.  The AJ Oxford Louis Poulsen lamp harmoniously illuminates the surface on which it is installed thanks to the soft transparency of opalised blown glass. The version without the upper metal shade is brighter and creates a halo of light around the luminaire.
Technology
1 x 20w e14
Color
Métal noir/ verre opalin
Colour
black
Material
metal
Dimensions
ø 22 x h 41,3 cm, base ø 18,5 cm
Matériaux
verre soufflé opalisé, acier, aluminium, laiton non traité
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1.
Arne JACOBSEN

Born in Copenhagen in 1902, Arne Jacobsen trained as a mason at the Technical College in Copenhagen, before studying architecture at the Royal Danish Academy of Fine Arts, where he graduated in 1927. He initially worked for Paul Holsoe, an architect, before founding his own practice in 1930. One of his significant creations was the Bellavista apartment block in Klampenborg (1933-1934), which earned him the nickname "Danish Le Corbusier." From 1934 onwards, Jacobsen worked closely with Fritz Hansen, a company he was particularly proud of. His furniture can be found in museums and hotels worldwide. Jacobsen was a key figure in the Danish functionalist movement, advocating for rational, functional architecture. He also laid the groundwork for Scandinavian organic modernism. The 1950s were among Jacobsen's most productive years. In 1952, he designed the Ant Chair for a major pharmaceutical company, which remains one of Denmark's best-selling furniture pieces. One of its variations, the Series 7 chair or 3107, was also a commercial success. In 1958, one of his most significant projects began: the design and fitting-out of the SAS Royal in Copenhagen. This project produced the iconic Egg and Swan armchairs, along with the AJ lamps, all characterized by their elegant, timeless design. Arne Jacobsen's legacy is still very much present in Denmark, where many buildings, houses, theatres, schools, and hotels bear his signature. Internationally, his greatest achievement was the design of St Catherine's College, Oxford, which gave rise to the famous Oxford chair. Fritz Hansen continues to produce Jacobsen's pieces, which have become design classics. His influence on Scandinavian design is still evident today.

2.
LOUIS POULSEN

Danish brand Louis Poulsen was founded in 1874, originating from traditional Scandinavian design where form follows function. Louis Poulsen became the owner of the company in 1906 after the death of his uncle, Ludvig R. Poulsen. Louis Poulsen’s approach to architectural development began when he collaborated with one of the world’s leading lighting designers, Poul Henningsen. In 1924, the designer began collaborating with Louis Poulsen lighting; their objective was to take part in the "International Exhibition of Modern Decorative and Industrial Arts". In 1925 the collaboration proved successful and the Poul Henningsen lamps won the gold medal. Following this victory, the two men marketed their products in France, England and Denmark.

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